MindBody is a web-based management system widely used by yoga studios. Using MindBody’s SOAP-based API, eeMindBody provides an easy way for a studio’s ExpressionEngine web site to access its MindBody data.
Lately I’ve noticed an irritating profusion of paid-in-kind reviews on Amazon—see Is Amazon Doing Anything To Fight Latest Wave Of Fake, Paid-For Reviews? in The Consumerist. I think that allowing this is a huge mistake on Amazon’s part—the first I can remember seeing them make. It essentially makes their incredibly valuable review functionality—even other retailers include it in their web sites—valueless. Worse, it’s irritating and draining, because you have to scan to the end of a review to find out if it’s been subsidized by the vendor. See “How to Snag a Deal by Writing an Amazon Review” in USA Today. The current antidote? fakespot.com.
Nicely presented on Vimeo, Jen Simmons of The Web Ahead podcast gives a 1-hour talk on web design at a 2016 An Event Apart conference entitled Modern Layouts: Getting Out of Our Ruts. Lots of nice slides of magazine layouts, where she suggests web designers should be returning for inspiration.
Occasionally the ethernet-based internet connection at my desk goes down, and I can’t tell without checking Airport Utility as there’s no immediate visual indicator in OS X. Hence Icon Ping by Italian ubergeek Salvatore Sanfilippo AKA Antirez. Perfect!
So the neighbor Brian is playing his and I thought, you know what, John Williams’ “Rey’s Theme” from Star Wars: The Force Awakens kind of lends itself to the accordion. And here it is on YouTube, very nicely done by Adam Matlock in his bedroom. Commendations to you, sir.
I scrolled straight past the recent entries at The Setup and clicked only on Charlie Lloyd’s based on his job description. And I guessed right. “At work we’re on small MacBook Pros with maxed-out RAM and external monitors on standing desks,” he writes. Check. “I do my coding and writing in TextMate.” Check. Since he passes these tests of sameness with me, the rest is all gold.
It’s been a couple of days since reading “What’s Next in Computing?” by Chris Dixon and I’m still harking back to it. It’s kind of made me a quasi-believer in the Singularity, made me think that these are the final handful of years in which there’ll be some continuity with what has always been. Disconcerting.
Regarding these great pithy quotes typographically set by London-based graphic designer Kyle Robertson, they all look very different but most use the same font: Archer!
Looking for a way in to a responsive refresh, and because Engaging has a paid-up account at cloud.typography.com, I switched the main font at my personal site adamkhan.net from Georgia to Archer. However, this AIGA article, “Is Archer’s Use on Target?”, points to the font’s role in our larger socio-economic situation, and that I’m about 7 years behind the curve. There are also the Archer Alert and Archer Beat blogs. Turns out it’s everywhere, from US postal stamps to One Direction albums. Nonetheless I feel slightly redeemed by the conclusion at “The Devil Uses Archer”.
A story and video of a young reporter kind of blown away, so to speak, by some new VR porn demoed at CES. [Via DrudgeReport]
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